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Such a Divine Comedy - time by ~todaystomorrow:icontodaystomorrow:



Paradise

Antediluvian nightmares from beyond
Chimera’s euphoric dream.
Space trips at the centre,
Tearing reality at the seam.
As masters of the universe
We are inextricably linked,
Inexorably connected by,
Life’s unrelenting curse –
Our marriage to the hearse.
The enigmatic attraction,
To the restriction of the void;
Seeing further and wanting more,
Bare witness to the core.
But now…
                 I need time,
                 And he needs me,
                 Together we will be kind,
                 In kind,
                 To all of humanity.
A prestigious master who makes,
Eternity an absurd oddity;
A spontaneous and impeccably planned destiny,
With serendipitous and fateful organisation;
Such abstract ambition!

Purgatory

With deliberating certainty
We race towards the truth;
Seeking the beauty
That lies,
Between the beginning and the end;
From Cassandra’s complex condition
To Shakespeare’s mad rendition,
Then Homer’s first Iliad
To the Simpson’s final silly dad.
After laughter and before the tears,
We explore the ethereal plains for years,
Searching throughout them for someone
Who duplicity cares,
Needing an entity who rigorously stares.

Inferno

But shame; oh horror, the people who judge!
The colours are angry they flicker and smudge.
Do we do what we’re told because
We should? Or we must?
Are we attractive through love,
Or lust?
We are who we are through the things that we see,
Inexplicable need for more time is the key;
                 Within without I see the surrealism of the truth in me,
                 For what can be more beautiful than she?
Panic stricken and out of control,
The abyss grows like the black hole,
Nothing escapes and nothing is consumed,
All things return and must be resumed.
Why am I like this?
Did I decide or did they?
Strategically placed,
Our lives are encased,
By the maniacal media
Who frame our thought.
This decent into madness,
Is how it begins;
Filling the chasm by breaking away.
Orpheus’ lost
Humanity’s the cost.

Nighttimes intoxicated realm blurs softly into dawn.
The crepuscule fades dutifully till the morn is reborn
©2008-2009 ~todaystomorrow
:icontodaystomorrow:

Author's Comments

more abstract than i have been doing. focusing on evoking a feeling than anything else.
again, rather cleche, but being origonal escapes me at the moment.

Comments


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:iconflyingartist92:
Mmm, this is brilliant! And I normally don't say that too often about very many's works besides perhaps my own.

You really know your play of words, a quality a lot of poets I see and know seem to lack.

Just because it's an art form extracted from something as simple as human language, doesn't mean it can be bland and blunt.

But no, you know how to speak the language of art.

You can paint a mind-dazzling masterpiece with only words as your utensils.

Kudos (:
:icontodaystomorrow:
thankyou very much for your comments, it means a lot to hear someone appreciate my work.
I love to try and explore the meanings of words and even the way they sound within different contexts and phrases.
The first line just sort of came to me and i ran with the theme.
I've always liked the saying 'music has 7 notes, while language has 26'.
Thankyou once again,

--
The more I lose my logic,
The more the lyrics come,
The more mellifluous the language,
The more lilting the lines become.
:iconflyingartist92:
Yes, exactly. You've got it (:

That's my technique too...just take the first line, and let the rest flow out. Even if you don't know what it means, you can look back at the end product and analyze it then...poetry written by your subconscious mind is the best poetry ever written.
:icontodaystomorrow:
here's to that!
i spend forever on the first line, even when i decide to start a book, i thinkit over and over till i get one that carries the right tone for the rest. very important.
then once it runs out, i leave and come back to it when it makes some sense and write on. it may take longer, but it ends much better.

--
The more I lose my logic,
The more the lyrics come,
The more mellifluous the language,
The more lilting the lines become.

Details

November 9, 2008
3.2 KB

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